COPYRIGHT 2011-2020 © 121CLICKS.COM. Save my name, email, and website in this browser for the next time I comment. It’s a nice middle ground between what is “kind of like a portrait lens” and something a little too wide. Photographers right from the beginning has always had a love for prime lenses, many of the master photographers use to just carry variety of prime lenses. The 24-50-105 combo gives you great range and versatility – the 105 is a macro lens as well, and the 135 is a phenomenal lens with good telephoto range. Fast and light. I don’t really like wide primes. A better optics apart from the previous 35/50mm lenses is certain to give better optical results with much more pleasing bokeh or background blur. I don’t think 85mm is good for head shot…more of a half body at closest. Here’s a rundown of the 5 reasons given by Wong (watch the video for elaboration): 1. Like any prime lens, the 24mm forces you to think about your compositions before firing the shutter. Considering a photographer has opted one, the fixed focal length makes him/her move on the toe, adjust the composition and framing and think before pressing the shutter. Prime lenses; As you may already know a prime lens is the one that has a constant focal length. Nikon NIKKOR 35mm f/1.8G. The ergonomics are good. I absolutely love 50mm lenses on super 35 chip cameras. They believe that because a prime has a constant focal length, then it’s less versatile than zoom ones. Best prime / single focal length lens (for portraits) Prime lenses are just a single focal length; removing the complexity of a zoom often allows for these lenses to be smaller, lighter and sharper, while letting more light through and being more useful in dimly lit situations. Portraits, group shots or any kind of documentation, the professionals have always looked out for one 35mm lens. 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Would rather have that covered with zoom. Do you own and use a beloved 35mm or 50mm lens? Here’s the truth: The lenses are affordable and really don’t break the bank. A lens hood is in the kit. The Cost of this lens is a must mention since it is one of the cheapest prime lenses available today. Canon’s 40mm f/2.8 lens costs $200, and Yongnuo makes a $90 40mm f/2.8 for Nikon cameras. 50mm good for full body. The 24mm prime lensis sufficiently wide and remarkably sharp, making it an ideal candidate for landscape photography. The most widely used lens ranging from film/video to the full sensor Photographic equipment. First up what is a Prime lens, a lens with a fixed focal length having a wonderful sensitivity to low light is the one. I can see the sense with having a 50 mm and 85 mm lens since but why 35 mm and 50 mm. There’s a long-standing battle between 35mm and 50mm lenses for which deserves the top spot, but Kai believes that 40mm is actually the best focal length out there. I usually carry two cameras and have my 50 f/1.4 on one camera body and my 24-70 or 70-200 on the other depending on what I’m shooting. Sigma 10mm is not too bad…. A gradual increase in focal length, making it to capture some wonderful head shots portraits or suitable for family/pet photography. It is available in f/1.4 making it a fantastic optics for low light. Which prime lens focal length do you personally prefer? It’s a wide 50mm lens. It’s cheap. A … It’s a tidy wide. This one is easy to experiment with because not only are there many affordable prime options available, but you’ll find this focal length at the wide end of many full frame zoom lenses. http://www.amazon.com/gp/product/B000YYDF7W/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000YYDF7W&linkCode=as2&tag=dfgecvb-20. I especially like the results I get when shooting at dusk or at night with my 24mm lens. There is not much lens formula with them, so one need not worry about any lens defects minus minor chromatic aberrations. Taking into consideration the built quality or even avoiding them, these lenses seems to always surprise one with their optical quality and contrasts. It could easily & arguable be the most owned lens in the photographers community. It might even be impossible to shoot in daylight unless one compromises on the exposure. Popular photography personality Kai Wong thinks you should consider trying out the middle ground between the two. Here in this article, we have handpicked 3 best selling workhorse prime lenses which are definitely affordable & usable for any Photographer. By heading this post “Top 3 prime lenses every photographer should have”, did you infer that we should have all the three lenses or any of the one. Your email address will not be published. Many lens manufacturers produce or have produced prime lenses at or near the following focal lengths: 20mm, 24mm, 28mm, 35mm, 50mm, 85mm, 105mm, 135mm, 200mm, 300mm, 400mm, 600mm. 135mm and 200mm are the head shot imo. Areas it excels in: landscapes, astrophotography, group portraits, and event photography. It is highly sorted for because of its focal length which is a comfort zone for any kind of photography. 50 mm is amazing for street…discreet and great even in evening when light start fading…, Surprised not to see fisheye lens here… Wide angle is definitely the best playground for fixed glasses. Universal. It’s not too tight for narrow spaces in street photography, 4. Zooms are wonderful for landscape photography … Cost of making should be cheaper for them making them easily buy able over the other retractable zoom lenses. Of course, optical quality is fundamental, especially at the edges of the photo because it's the part we're going to stitch, but its focal too is fundamental because it … But then broad daylight may not be desired for any kind of photography. He made this 11-minute video about why he thinks 40mm is actually the best focal length you can carry if you want a do-it-all prime lens. Low Light will never be a problem, but make sure one go down in ISO when shooting in broad daylight. Close enough for me. The lenses are affordable and really don’t break the bank. Focusing isn’t noisy. E.g. Don’t miss to check our previous Gear related Tutorials: I LOVE my 50mm, and the 35 & 85 are great too, but I’d make the case for either a 35mm & 85mm combo; or suggest a 24mm, 50mm & 105/135mm combo. And this is something that scares some photographers off. 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