The already slightly unhinged Courtland begins to court the young woman, and subtly attempts to transform her into a perfect mirror image of his dead wife. On their wedding night, Sandra is kidnapped and a ransom note is left behind by her abductors. A most unusual love story unravels when the objects in a young man's pockets come to life. Courtland now realizes for the first time who Sandra really is, and father and daughter fall into a deep embrace. Sonny quickly settles in and makes himself useful around the place but then Sonny meets Larissa, (Elika Portnoy) George's alluring wife. A couple's holiday romance is thrown into chaos as they are afflicted by a malicious force. Now He’s Eager to Pass the Torch, Rs Country Music Picks: Week of October 12th, Online Movies to Treat Yourself to Now! Schrader's script was extensively rewritten and pared down by De Palma prior to shooting, causing the screenwriter to proclaim a complete lack of interest in the film's subsequent production and release. Obsession is a 1976 American neo noir psychological thriller mystery film directed by Brian De Palma, starring Cliff Robertson, Geneviève Bujold, John Lithgow, and Stocker Fontelieu. De Palma was effusive in his praise of Bujold who he felt had the more difficult role, which she played admirably, giving the film the emotional resonance needed for the project. In Time, Richard Schickel called the film, "...exquisite entertainment...The film also throws into high melodramatic relief certain recognizable human truths: the shock of sudden loss, the panic of the effort to recoup, the mourning and guilt that blind the protagonist to a multitude of suspicious signs as he seeks expiation and a chance to relive his life. To be honest, I was genuinely taken aback and pleased, from a darkly humorous point of view, about where we ended up and why.The film is such a mixed bag, I don't know if I can safely recommend it or not. Two brothers struggle with a terrible truth behind a tragedy that aims to tear three generations of a family apart. She has a mysterious past and the two are irresistibly drawn to each other. Schrader's original screenplay, titled Déjà Vu, was reportedly much longer than the final film, with a coda that extended another ten years beyond where the film now ends. He's never been the same since. Pauline Kael, normally one of De Palma's greatest admirers, dismissed the film as "...no more than an exercise in style, with the camera whirling around nothingness..."[13] Vincent Canby wrote, "To be blunt, Obsession is no Vertigo, Hitchcock's witty, sardonic study of obsession that did transcend its material, which wasn't all that bad to start with. Ellie tries to mend her marriage with her husband Marcus after a brief encounter with an old friend, David, only to find that David is more dangerous and unstable than she'd realized. The film's editor, Paul Hirsch, agreed with the decision to obscure the incest theme, noting, "I thought it was a mistake to drag incest into what was basically a romantic mystery, so I suggested to Brian, 'What if it never happened? On the plane, Sandra has a flashback to her part in the scheme; she is in fact Courtland's daughter: following the original kidnapping LaSalle concealed her survival and sent her to live in secret with an Italian caretaker who raised Amy as her own child and gave her the name of Sandra. Muziek. "[1] The film's composer, Bernard Herrmann, agreed that the original ending should be jettisoned, telling De Palma, after reading Schrader's version, "Get rid of it — that'll never work". The movie was written and directed by Alexandre Carrière. Years after the tragedy, he meets and falls in love with a young woman who is the exact look-alike of his long dead wife. Pour plus de détails, voir Fiche technique et Distribution Obsession est un thriller américain réalisé par Brian De Palma , sorti en 1976 . Es wurde am 18. She has a mysterious past and the two are irresistibly drawn to each other. Knowing that Sandra must have been a willing accomplice in the plot against him, he goes to the airport to kill the escaping woman. "[6], In the documentary De Palma, the director indicated that he felt the major flaw of the film was in casting Academy Award winner Cliff Robertson. Use the HTML below. (2019). In 1959, Michael Courtland (Robertson), a New Orleans real estate developer, has his life shattered when his wife Elizabeth (Bujold) and young daughter Amy are kidnapped. (◕ ‿ ◕). Samuel Goldwyn Films. Courtland returns to New Orleans with Sandra so they can marry. Only his dark secret is unknown to all except those that love him the most. Directed by Damián Romay. Lucija Car, a young journalist, stubles upon a prison cemetery full of mysteries, when she does a reportage of that prison. De Palma said, "It made Schrader very unhappy: he thought I'd truncated his masterpiece. In a sense, the movie offers viewers the opportunity to do the same thing—by going back to a more romantic era of the cinema and the simple, touching pleasures denied the audience by the current antiromantic spirit of the movies. Bernard Herrmann provided the film's soundtrack prior to his death in 1975. Add the first question. Spectator / Obsession becomes part of your everyday life, and can be related to fear; this differs from addiction, which causes someone to never feel satisfied unless he is indulging in the object of addiction. "[11] Written by Still, Brad Dourif and the ending make this a touch above average for me -- a 5.5/10. My original idea in the script was to write an obsessive love where transcended the normal strictures of time."[3]. According to De Palma, "Paul Schrader's ending actually went on for another act of obsession. Before meeting George Good (Brad Dourif), Sonny Jordan (Mekhi Pfeiffer) was just a lost drifter with a troubled past floating from town to town, looking for work. The police recommend that he provide the kidnappers with a briefcase of shredded blank paper instead of the demanded ransom, as the kidnappers will then be more likely to surrender when cornered, rather than attempt to escape with cash in hand. Teenage babysitter Carrie Dawson has a chip on her shoulder on the heels of a humiliating family scandal. Obsession had managed to obtain enough positive critical notices to spark interest, and it earned the distributor over $4 million in domestic (U.S. and Canada) rentals.