The letters DO stands for Diffractive Optics. It mimics a human perspective, while using an APS-C camera turns it into an 80mm portrait prime. Get one email per week for one year (Unsubscribe at any time). This is an extremely well-built lens with great weather sealing and a solid metal mount. Lens Construction: 13 elements in 10 groups Canon’s prime lenses are a joy to shoot with. There’s no getting around it, the RF 85mm F1.2L USM is huge, so much so that even photographers with large hands won’t be able to grasp the broader part of its barrel fully. Despite the nearly 1.5K price tag. Giving a medium telephoto range of 127mm. This is one of the cheapest lenses that Canon produces and one that they likely sell in hundreds. You’ll see 1.5 stops of light falloff in the extreme corners at f/1.2 that disappears by f/1.8. Currently, the best prime lens for canon is the EF 35mm f1.4L II. Second, the 85mm aperture is ideal for portraitures if you are using an APS-C camera. With an effective 51.2mm, this is the longest focal length prime lens that Canon markets for its EOS M mirrorless APS-C cameras. That’s why it’s equipped with a gear instead of a stepping motor, which is smaller while affecting performance as little as possible. The internal construction of the lens features a gapless dual-layer diffractive optics. When talking about the best lenses for Canon cameras, we think mostly about zoom lenses as you can use a single one for multiple purposes. The RF 85mm F1.2L USM is one of the sharpest lenses we’ve ever tested regardless of brand or camera type. Light falloff is present and goes away by f/4. Choosing The Best 50mm For Canon Cameras. It is one of the sharpest lenses that Canon currently sells. The rest of the lens body is plastic and glass, with a few exceptions where metals are used inside. A single focus limiter switch breaks up its otherwise symmetrical body, and a metal mount ensures prolonged use. The front-most element is bulbous and protected by a non-removable petal-shaped lens hood. For shooting. The lens is optically sound, made to last, and more versatile than its focal length would have you believe. First, it’s bright f/1.2 aperture which makes it one of the best lenses to shoot with. Best wide-angle prime lenses for Canon DSLRs Like an optical shoehorn, a wide-angle lens helps you squeeze more into the picture. It features impeccable optics, world-class sharpness, fast autofocus, and amazing build quality. A 50mm lens is the standard prime for 35mm format cameras. This means you can make very small adjustments when adjusting focus. It consists of aspherical elements that take care of spherical aberrations. The first thing you’ll notice about the EF 200mm f/2.8L II USM is how light and small it is for a telephoto lens. It exhibits lots of colorful artifacts and has pronounced veiling flare. The lens features a hybrid image stabilization system. This is a fairly sharp lens even when shot with wide open apertures. The lens lacks image stabilization though. 80 millimetre effective focal length on APS C cameras, 50 millimetre on full frame cameras. Even at full wide open, the lens is quite sharp and even at the corners of the frame. You can grab the focusing ring and adjust focusing even in auto-focusing mode. We may get a commission. Cat’s eyes can occur towards the edges, though, so you might want to switch to f/4 if these are bothersome. The wide f/4 aperture ensures a lot of light which comes in handy when shooting at dawn or dusk. It isn’t a comfortable lens and will take its toll on photographers keen on outdoor shoots. Image sharpness is good. Updated on 2020-11-27. On the opposite end, Sigma’s lens has excellent flair resistance and can pull off attractive sun stars with 18 points. Sigma is a 3rd-party manufacturer known for quality lenses at reasonable prices. This technology is faster than, but not as smooth as the new STM technology. Immaculate optics and excellent build quality. Here is a list of the best Canon prime lenses that you can buy. The reason is with a longer lens the proportions of the nose and ears appear correct in a portrait. Additionally, the focusing ring on the lens is electronically coupled with the focusing motor of the camera. Low chromatic aberration and image distortion. The Canon 50mm f/1.8 STM is a cheap standard prime designed for both the full-frame as well as EF-S mount lenses. Fantastic optics and flare reduction. We love the quality of the EF-M 32mm f/1.4 STM’s bokeh. The major USP of the lens is its fast wide aperture of f/1.8. This one doesn’t suffer from that problem. It’s also an outstanding modern-day performer ideal for sports, events, animals, and any other situations that require maintaining a distance from the subject. STM technology provides smoother auto-focusing performance. It skews towards a cat’s eye shape at max aperture, especially towards the edges. There are better lenses out there, but you won’t get as much fun per dollar out of any of them. There are some downsides to this lens as well. It’s smooth sailing from there, and you’ll get peak performance with nearly uniform coverage from f/5.6 to f/8. All values rise as you step down, peaking at f/5.6 and remaining great until f/11. Why is this lens so popular? It has a fast usable f/2.8 aperture that ensures that the lens can handle most lighting conditions with élan. The lens comes with a metal mount and a decent built quality. Prime lenses are versatile, and the Sigma 35mm f/1.4 Art is an example of just this. Product from Amazon. Easy to use, crisp pictures, and all the superior quality that we’ve come to expect from Canon’s EF lenses. The EF 50mm f/1.8 STM is Canon’s least expensive lens, but its performance is far from poor. It is precise but at the same time this feature prevents you from turning the focusing ring manually when the camera is turned off. It’s sharp, bright, works quietly, and excels at portrait photography while doubling as a macro lens in a pinch. The razor thin depth of field is extremely difficult to work with. Compact, lightweight, and close-focusing, the Canon RF 35mm f/1.8 IS Macro STM lens is a unique wide-angle prime mixing the versatility of a general wide lens with the specialty of a 1:2 macro optic. That’s a lot, even if you like the effect. With this lens, you would be able to shoot much further away from relative safety when you are photographing such tough assignments. He has been writing about cameras and lenses for over 10 years now. As close as 12″ from your subject. View our new wide aperture RF lens RF 50mm F1.8 STM. Performance wise the lens is acceptably sharp. Metal lens mount and large amounts of high-quality glass complete the lens build. Your email address will not be published. This is a stop slower than the 400mm f/2.8L that Canon also sells. Sigma 35mm f/1.4 Art –Best Standard Prime Lens. Overall, we firmly believe that the Canon EF 24mm f/1.4L II is the best canon lens for landscape for photographers looking for a prime lens. This is because you have to stand further away from your subject. Required fields are marked *. The image stabilization rating is three stops. For around a hundred bucks, you’re getting a lens that works perfectly with every Canon EOS camera ever made, i.e. Wiki researchers have been writing reviews of the latest prime lenses for canon since 2018. Its focus limiter switch speeds up focusing even more. The EF-M 32mm f/1.4 STM is a fast and stealthy lens, acquiring subjects in tenths of a second while producing sounds easily drowned out by background noise. 1. And that means hand-held shooting at anything less than 1/135 is going to be a problem. There’s slight pincushion distortion that won’t show up in photos unless you’re shooting architecture. The longish focal length ensures that you can shoot from much further back and yet be able to focus close. If you are going to predominantly shoot stills, you wouldn’t mind it. Invariably it will also offer a larger maximum aperture to give you tighter control over depth of field, but it’s also a good walkaround optic for when you want to keep life simple. The EF1.4X II/EF2X II extenders cannot be used with this lens. We were especially impressed by the AF’s smooth performance for videos. Three switches line its side, while a see-through window on top shows the current distance and magnification ratio.